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Although unaware of Adele's personal predicament, he composed the opening piano sequence and first few lines to what became the lovelorn ballad "Turning Tables": "Close enough to start a war/All that I have is on the floor." Coincidentally, it perfectly captured the experience of the singer, who arrived at the studio moments after another altercation with her former lover.

Angry and unfocused, she denounced her ex-lover's tendency to "turn the tables" on her during their arguments, an expression that Tedder decided to reference in the song's lyrics.

The album topped the charts in more than 30 countries and became the world's best-selling album of the year for 20.

In the United Kingdom, it is the best-selling album of the 21st century and fourth best-selling album of all time, while its 23-week tenure atop the UK Albums Chart is the longest by a female solo artist.

Writing for the album began shortly after Adele separated from her lover.

Within a day of her break-up, she contacted producer Paul Epworth, intent on capturing her emotion in a song: "We'd had a fuming argument the night before ... Then I went into the studio and screamed." The instrumentation evolved organically—after trying out various jazz riffs, Adele attempted the first verse a cappella, inspiring Epworth to improvise a melody on his acoustic guitar.

When she played the song for her boyfriend, the two got into a bitter argument that culminated in the end of their 18-month relationship.

Critics hailed the album as a shift from the overtly sexual and musically bombastic status quo, and attributed its success to its deeply autobiographical yet universal songs.However, studio sessions ended prematurely due to a lack of inspiration.She resumed production immediately after the breakdown of her relationship, channelling her heartbreak and depression into her songs.Adele began writing 21 in April 2009, when still involved in the relationship that subsequently inspired the record.Dissatisfied with once again portraying herself as the musical tragedian of her debut, she had intended to compose a more upbeat and contemporary follow-up.

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